Ohe’s floor-based series of works such as Typhoon (1984), Monsoon (2006, 2011), and Chuckles (2015) utilize powder coating and colour to induce intuitive touch. The collective movement of these groupings emphasizes the importance of the space around the sculptures, their relationship to each other, and to the viewer.
conservation
Thank You
[su_pullquote align="right"]All things worthwhile must end as gifts…what other reason is there for art?' Isamu Noguchi[/su_pullquote]Dear Friends, Thank you for supporting the Kiyooka and Ohe Arts...
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